The artists of Res Facta Vocal Ensemble celebrate the 500th anniversary of the birth of Giovanni Pierluigi da Palestrina. Immerse yourself in a curated selection of motets and mass movements from the 16th to the 19th centuries, revel in the unmistakable beauty of Palestrina’s pristine polyphony, and explore the way his singular style influenced composers from Bach to Brahms, Bruckner, and beyond.

“A most perfect blending of voices, made radiant and effervescent.” - Boston Musical Intelligencer

Join Ensemble Altera, described by the BBC as “something extraordinary”, for a transformative choral experience inspired by the primal forces that shape our world: Earth, Air, Fire, and Water. In The Four Elements, ancient ideas meet modern resonance, with music that speaks to the fragility of our planet, the mystery of breath, the intensity of flame, and the stillness of deep water. This one-of-a-kind performance gathers some of the finest professional choral singers from both sides of the Atlantic, in a powerful musical convergence of world-class vocal talent.

This is music that stirs the soul, whether you’re a seasoned concert goer or simply seeking beauty, connection, and reassurance in an uncertain world. Ensemble Altera delivers sound with breathtaking clarity, emotional immediacy, and an obsessive attention to vocal detail. Artistic director Christopher Lowrey is, as Rondo Magazine put it, a “vocal fanatic” who “knows exactly what he wants" from his singers. Program highlights include music by John Taverner, Eric Whitacre, Kenneth Leighton, Morten Lauridsen, Ivo Antognini, Owain Park, John Rutter, Ēriks Ešenvalds, and Charles Villiers Stanford.”

“A most perfect blending of voices, made radiant and effervescent.” - Boston Musical Intelligencer

Join Ensemble Altera, described by the BBC as “something extraordinary”, for a transformative choral experience inspired by the primal forces that shape our world: Earth, Air, Fire, and Water. In The Four Elements, ancient ideas meet modern resonance, with music that speaks to the fragility of our planet, the mystery of breath, the intensity of flame, and the stillness of deep water. This one-of-a-kind performance gathers some of the finest professional choral singers from both sides of the Atlantic, in a powerful musical convergence of world-class vocal talent.

This is music that stirs the soul, whether you’re a seasoned concert goer or simply seeking beauty, connection, and reassurance in an uncertain world. Ensemble Altera delivers sound with breathtaking clarity, emotional immediacy, and an obsessive attention to vocal detail. Artistic director Christopher Lowrey is, as Rondo Magazine put it, a “vocal fanatic” who “knows exactly what he wants" from his singers. Program highlights include music by John Taverner, Eric Whitacre, Kenneth Leighton, Morten Lauridsen, Ivo Antognini, Owain Park, John Rutter, Ēriks Ešenvalds, and Charles Villiers Stanford.”

“A most perfect blending of voices, made radiant and effervescent.” - Boston Musical Intelligencer

Join Ensemble Altera, described by the BBC as “something extraordinary”, for a transformative choral experience inspired by the primal forces that shape our world: Earth, Air, Fire, and Water. In The Four Elements, ancient ideas meet modern resonance, with music that speaks to the fragility of our planet, the mystery of breath, the intensity of flame, and the stillness of deep water. This one-of-a-kind performance gathers some of the finest professional choral singers from both sides of the Atlantic, in a powerful musical convergence of world-class vocal talent.

This is music that stirs the soul, whether you’re a seasoned concert goer or simply seeking beauty, connection, and reassurance in an uncertain world. Ensemble Altera delivers sound with breathtaking clarity, emotional immediacy, and an obsessive attention to vocal detail. Artistic director Christopher Lowrey is, as Rondo Magazine put it, a “vocal fanatic” who “knows exactly what he wants" from his singers. Program highlights include music by John Taverner, Eric Whitacre, Kenneth Leighton, Morten Lauridsen, Ivo Antognini, Owain Park, John Rutter, Ēriks Ešenvalds, and Charles Villiers Stanford.”

This celebratory opening event uniquely commemorates the 300th anniversary of four of Bach’s finest cantatas, highlighting the rarely performed Dramma per Musica, “Zerreißet, zersprenget, zertrümmert,” commissioned in 1725 by the University of Leipzig with a classical text adapted by Picander, Bach’s longtime collaborator and librettist. The affective range of expression achieved across these works is astonishing, revealing Bach in ways that our audience will experience live for the first time!

Gott, der Herr ist Sonn und Schild, BWV 79
Ihr werdet weinen und heulen, BWV 103
Wer mich liebet, der wird mein Wort halten, BWV 74
Dramma per Musica: Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205

Soloists:

Elijah McCormack

Reginald Mobley

Andrew Bearden Brown

Edward Vogel

The Washington National Cathedral Choir and Baroque Orchestra perform Bach’s vibrant Magnificat., based on the Gospel of Luke. This celebratory program also features Charpentier’s Te Deum, and Rebel’s Les Élémens depicting Earth’s creation. Livestream available for 10/5 performance.

Soloists to include:

Sylvia Leith

Edmund Milly

The Washington National Cathedral Choir and Baroque Orchestra perform Bach’s vibrant Magnificat., based on the Gospel of Luke. This celebratory program also features Charpentier’s Te Deum, and Rebel’s Les Élémens depicting Earth’s creation. Livestream available for 10/5 performance.

Soloists to include:

Sylvia Leith

Edmund Milly

Maurice Duruflé | Requiem, Op. 9
Frank Martin | Cantate pour le 1er Août
Palestrina | Missa Papae Marcelli
Diedre Robinson | World Premiere

Eric Plutz, organ

The Thirteen performs works of remembrance and celebration with Duruflé’s poignant Requiem and, in honor of the 500th anniversary of Palestrina’s birth, the composer’s most renowned work, the Missa Papae Marcelli. Palestrina’s mass represents the high point of Renaissance polyphony, with a purity of counterpoint, deeply affecting dissonance, and clear text setting—qualities that formed the basis of an enduring myth that through this work, Palestrina saved Church music. Duruflé’s 1941 Requiem, also based on Gregorian chant, was begun under the Vichy occupation but completed after the liberation of France. Paired with Swiss composer Frank Martin’s celebratory 1941 Cantata pour le 1er août (the text of which inspires this concert’s title) and a new work by composer Diedre Robinson, this concert is sure to “transfigure the listener” (The Washington Post). Princeton University Chapel organist Erik Plutz, hailed as a “master craftsman… sensitive, emotional, stunningly accurate, and spectacularly musical… world-class” (The Diapason) joins The Thirteen in this tour-de-force performance.

The commissioning of the World Premiere by Diedre Robinson is made possible by a gift to The Thirteen’s Building for Tomorrow fund by Donald Sutherland and Phyllis Bryn-Julson.

Maurice Duruflé | Requiem, Op. 9
Frank Martin | Cantate pour le 1er Août
Palestrina | Missa Papae Marcelli
Diedre Robinson | World Premiere

Eric Plutz, organ

The Thirteen performs works of remembrance and celebration with Duruflé’s poignant Requiem and, in honor of the 500th anniversary of Palestrina’s birth, the composer’s most renowned work, the Missa Papae Marcelli. Palestrina’s mass represents the high point of Renaissance polyphony, with a purity of counterpoint, deeply affecting dissonance, and clear text setting—qualities that formed the basis of an enduring myth that through this work, Palestrina saved Church music. Duruflé’s 1941 Requiem, also based on Gregorian chant, was begun under the Vichy occupation but completed after the liberation of France. Paired with Swiss composer Frank Martin’s celebratory 1941 Cantata pour le 1er août (the text of which inspires this concert’s title) and a new work by composer Diedre Robinson, this concert is sure to “transfigure the listener” (The Washington Post). Princeton University Chapel organist Erik Plutz, hailed as a “master craftsman… sensitive, emotional, stunningly accurate, and spectacularly musical… world-class” (The Diapason) joins The Thirteen in this tour-de-force performance.

The commissioning of the World Premiere by Diedre Robinson is made possible by a gift to The Thirteen’s Building for Tomorrow fund by Donald Sutherland and Phyllis Bryn-Julson.

Maurice Duruflé | Requiem, Op. 9
Frank Martin | Cantate pour le 1er Août
Palestrina | Missa Papae Marcelli
Diedre Robinson | World Premiere

Eric Plutz, organ

The Thirteen performs works of remembrance and celebration with Duruflé’s poignant Requiem and, in honor of the 500th anniversary of Palestrina’s birth, the composer’s most renowned work, the Missa Papae Marcelli. Palestrina’s mass represents the high point of Renaissance polyphony, with a purity of counterpoint, deeply affecting dissonance, and clear text setting—qualities that formed the basis of an enduring myth that through this work, Palestrina saved Church music. Duruflé’s 1941 Requiem, also based on Gregorian chant, was begun under the Vichy occupation but completed after the liberation of France. Paired with Swiss composer Frank Martin’s celebratory 1941 Cantata pour le 1er août (the text of which inspires this concert’s title) and a new work by composer Diedre Robinson, this concert is sure to “transfigure the listener” (The Washington Post). Princeton University Chapel organist Erik Plutz, hailed as a “master craftsman… sensitive, emotional, stunningly accurate, and spectacularly musical… world-class” (The Diapason) joins The Thirteen in this tour-de-force performance.

The commissioning of the World Premiere by Diedre Robinson is made possible by a gift to The Thirteen’s Building for Tomorrow fund by Donald Sutherland and Phyllis Bryn-Julson.

Charles Hubert Hastings Parry I Was Glad
William Henry Harris Faire is the Heaven
Cecilia McDowall O sing unto the Lord
Ralph Vaughan Williams Five Mystical Songs
Herbert Howells Take Him, Earth, for Cherishing
Gerre Hancock Deep River
Thomas Dorsey Take My Hand, Precious Lord
Alice Parker Hark, I Hear the Harps Eternal
Edward Bairstow Sing Ye to the Lord
Janet Yieh, organ; Edmund Milly, baritone; Downtown Voices; Stephen Sands, conductor 
Sarah MacDonald Fugue, Sicilienne, & Toccatina on Jesu, Dulcis Memoria 

The Washington Chorus and National Philharmonic are thrilled to present their next collaboration, One Song: Exultávit! This program features J.S. Bach’s beloved setting of the Magnificat and Reena Esmail’s extraordinary new work This Love Between Us, which juxtaposes Western classical music and Indian musical traditions. Both works explore the power of prayer, humility, and kindness while also presenting a bold vision for the future where more unites us than divides us—and the least among us matter the most.

Eugene Rogers, conductor

Juliet Schlefer, soprano

Heather Petrie, contralto

Jacob Perry, tenor

Edmund Milly, bass-baritone

Join us as Trinity organists past and present — Bruce Neswick, Alex Leonardi, and Alcée Chriss III — team with Trinity Choir to spotlight the artistry of another former Trinity organist: the incomparable David Hurd. A leading composer and organist in Episcopal church music for decades, Hurd will direct his own choral works, which blend spiritual depth and bold harmonies. 

From its mysterious opening movement to its triumphant “Ode to Joy,” Beethoven’s Ninth Symphony changed the course of music and remains one of its most recognizable landmarks. Tonight, the storied Orchestra of St. Luke’s performs the masterwork with choir and soloists under conductor Raphaël Pichon, who recently led a sold-out performance in Boston’s Symphony Hall, revealing that “the Ninth can still be a source of evergreen freshness and vitality” (The Boston Musical Intelligencer). Boston Classical Review agreed: “Pichon finds fresh illumination in Beethoven’s Ninth … it thundered.” The concert also features the Carnegie Hall premiere of selections from Beethoven’s incidental music for a never-performed play: Leonore Prohaska. 

BEETHOVEN Selections from Leonore Prohaska

SILCHER "Persischer Nachtgesang" (after Allegretto from Beethoven's Symphony No. 7)

BEETHOVEN Symphony No. 9

Raphaël Pichon, Conductor
Liv Redpath, Soprano
Beth Taylor, Mezzo-Soprano
Laurence Kilsby, Tenor
Alex Rosen, Bass
The Clarion Choir
Steven Fox, Director

Bach is our favorite composer, and we have a special place in our hearts for his motets. Hear Seraphic Fire’s singers and the first-rate instrumentalists of the Seraphic Fire Period Orchestra bring six of Bach’s most virtuosic and celebrated works to life.

Bach is our favorite composer, and we have a special place in our hearts for his motets. Hear Seraphic Fire’s singers and the first-rate instrumentalists of the Seraphic Fire Period Orchestra bring six of Bach’s most virtuosic and celebrated works to life.

Bach is our favorite composer, and we have a special place in our hearts for his motets. Hear Seraphic Fire’s singers and the first-rate instrumentalists of the Seraphic Fire Period Orchestra bring six of Bach’s most virtuosic and celebrated works to life.

Bach is our favorite composer, and we have a special place in our hearts for his motets. Hear Seraphic Fire’s singers and the first-rate instrumentalists of the Seraphic Fire Period Orchestra bring six of Bach’s most virtuosic and celebrated works to life.

Experience the pinnacle of Baroque sacred music with Bach’s monumental Mass in B Minor. Majestic, deeply spiritual, and musically breathtaking, this masterwork weaves together intricate choral writing, powerful solos, and transcendent orchestration. Performed in the stunning acoustics of St. Joseph Parish, this special concert is a soul-stirring journey through one of the greatest achievements in Western music.

Begin your holiday music season with the Polyphonists, a vocal quartet performing Renaissance and Baroque works by members of the Bach family, Leonarda, Victoria and more.

Edmund makes his solo debut with PBO under the direction of Jos van Veldhoven.

Celebrate the season with the glorious sounds of Messiah! Handel’s beloved oratorio comes to life once more, performed on exquisite period instruments just as it was meant to be heard. From the triumphant Hallelujah to the soaring arias and stirring choruses, this is Messiah in its full, breathtaking splendor. Featuring Jos van Veldhoven and Portland Baroque Orchestra.

Edmund makes his solo debut with PBO under the direction of Jos van Veldhoven.

Celebrate the season with the glorious sounds of Messiah! Handel’s beloved oratorio comes to life once more, performed on exquisite period instruments just as
it was meant to be heard. From the triumphant Hallelujah to the soaring arias and stirring choruses, this is Messiah in its full, breathtaking splendor.

Under the dynamic guest direction of Jos van Veldhoven, this year’s performance promises to be an unforgettable musical event. With world-class soloists and the vibrant debut of Portland Baroque Voices infusing every note with passion, power, and soul-stirring emotion, this Messiah will be a truly transcendent experience.

Edmund makes his solo debut with PBO under the direction of Jos van Veldhoven.

Celebrate the season with the glorious sounds of Messiah! Handel’s beloved oratorio comes to life once more, performed on exquisite period instruments just as
it was meant to be heard. From the triumphant Hallelujah to the soaring arias and stirring choruses, this is Messiah in its full, breathtaking splendor.

Under the dynamic guest direction of Jos van Veldhoven, this year’s performance promises to be an unforgettable musical event. With world-class soloists and the vibrant debut of Portland Baroque Voices infusing every note with passion, power, and soul-stirring emotion, this Messiah will be a truly transcendent experience.

Edmund makes his solo debut with PBO under the direction of Jos van Veldhoven.

Celebrate the season with the glorious sounds of Messiah! Handel’s beloved oratorio comes to life once more, performed on exquisite period instruments just as
it was meant to be heard. From the triumphant Hallelujah to the soaring arias and stirring choruses, this is Messiah in its full, breathtaking splendor.

Under the dynamic guest direction of Jos van Veldhoven, this year’s performance promises to be an unforgettable musical event. With world-class soloists and the vibrant debut of Portland Baroque Voices infusing every note with passion, power, and soul-stirring emotion, this Messiah will be a truly transcendent experience.

Edmund makes his National Philharmonic solo debut

Baltimore Choral Arts Society

Anthony Blake Clark, conductor

Sarah Hayashi, soprano

Lucia Bradford, mezzo-soprano

Brian Giebler, tenor

Edmund Milly, bass-baritone

Edmund makes his National Philharmonic solo debut

Baltimore Choral Arts Society

Anthony Blake Clark, conductor

Sarah Hayashi, soprano

Lucia Bradford, mezzo-soprano

Brian Giebler, tenor

Edmund Milly, bass-baritone

The Polyphonists join forces with Berkeley’s Cantata Collective for the first time in a one-on-a-part program of Bach’s cantatas.

Christum wir sollen loben schon, BWV 121
Nach dir, Herr, verlanget mich, BWV 150
Wo gehest du hin? BWV 166

Amy Broadbent, soprano
Sylvia Leith, alto
Matthew Hill, tenor
Edmund Milly, bass

Rachmaninoff | Liturgy of St. John Chrysostom, Op. 31

The Thirteen explores the vocal music of Sergei Rachmaninoff, following our “finely tune[d]… expert, highly responsive” (Washington Classical Review) performances of his All Night Vigil in 2023. Written five years before the Vigil, in 1910, the Liturgy of St. John Chrysostom is a work on a yet grander scale. “Beautiful and grandly mystical… exud[ing] a spiritual force that is deeply moving and restorative” (New York Times), Rachmaninoff’s Liturgy exalts the power, beauty, and emotive range of the human voice. This concerto for choir in a symphonic palette has moved audiences for over 100 years with soaring melodies, rich harmonies, and vocal pyrotechnics.

The Thirteen’s Vocal Fellows Program is made possible by a gift from the Andrew Warnock Clarke & Martin ‘Chip’ Sherrill Family Foundation.

Rachmaninoff | Liturgy of St. John Chrysostom, Op. 31

The Thirteen explores the vocal music of Sergei Rachmaninoff, following our “finely tune[d]… expert, highly responsive” (Washington Classical Review) performances of his All Night Vigil in 2023. Written five years before the Vigil, in 1910, the Liturgy of St. John Chrysostom is a work on a yet grander scale. “Beautiful and grandly mystical… exud[ing] a spiritual force that is deeply moving and restorative” (New York Times), Rachmaninoff’s Liturgy exalts the power, beauty, and emotive range of the human voice. This concerto for choir in a symphonic palette has moved audiences for over 100 years with soaring melodies, rich harmonies, and vocal pyrotechnics.

The Thirteen’s Vocal Fellows Program is made possible by a gift from the Andrew Warnock Clarke & Martin ‘Chip’ Sherrill Family Foundation.

Rachmaninoff | Liturgy of St. John Chrysostom, Op. 31

The Thirteen explores the vocal music of Sergei Rachmaninoff, following our “finely tune[d]… expert, highly responsive” (Washington Classical Review) performances of his All Night Vigil in 2023. Written five years before the Vigil, in 1910, the Liturgy of St. John Chrysostom is a work on a yet grander scale. “Beautiful and grandly mystical… exud[ing] a spiritual force that is deeply moving and restorative” (New York Times), Rachmaninoff’s Liturgy exalts the power, beauty, and emotive range of the human voice. This concerto for choir in a symphonic palette has moved audiences for over 100 years with soaring melodies, rich harmonies, and vocal pyrotechnics.

The Thirteen’s Vocal Fellows Program is made possible by a gift from the Andrew Warnock Clarke & Martin ‘Chip’ Sherrill Family Foundation.

Organ Prelude
Ciacona in E Minor, BuxWV 160, Dieterich Buxtehude
Praeludium in G Minor, Vincent Lübeck

Cantata
Ich will den Kreuzstab gerne tragen, BWV 56

Paula Maust, organ

Edmund Milly, bass-baritone

Organ Prelude
Ciacona in E Minor, BuxWV 160, Dieterich Buxtehude
Praeludium in G Minor, Vincent Lübeck

Cantata
Ich will den Kreuzstab gerne tragen, BWV 56

Paula Maust, organ

Edmund Milly, bass-baritone

The Thirteen completes our survey of Bach’s four short masses, following our “fascinating… stirring” (Washington Classical Review) per- formance of The Early Masses I in 2025. The Masses in A Major and G Minor exhibit all of the mastery of the composer’s massive B Minor Mass in the form of smaller and digestible delights, written by the composer at a highpoint of his career. The Thirteen performs his two early masses featuring Baroque flute and oboe, paired with some of his finest and most beloved instrumental works.

Violinists Adriane Post and Chloe Fedor join our choir of twelve soloists and our orchestra of period instrumentalists, which “buzz[es] with busy counterpoint and festive energy” (Washington Classical Review).

The Thirteen completes our survey of Bach’s four short masses, following our “fascinating… stirring” (Washington Classical Review) per- formance of The Early Masses I in 2025. The Masses in A Major and G Minor exhibit all of the mastery of the composer’s massive B Minor Mass in the form of smaller and digestible delights, written by the composer at a highpoint of his career. The Thirteen performs his two early masses featuring Baroque flute and oboe, paired with some of his finest and most beloved instrumental works.

Violinists Adriane Post and Chloe Fedor join our choir of twelve soloists and our orchestra of period instrumentalists, which “buzz[es] with busy counterpoint and festive energy” (Washington Classical Review).

The Thirteen completes our survey of Bach’s four short masses, following our “fascinating… stirring” (Washington Classical Review) per- formance of The Early Masses I in 2025. The Masses in A Major and G Minor exhibit all of the mastery of the composer’s massive B Minor Mass in the form of smaller and digestible delights, written by the composer at a highpoint of his career. The Thirteen performs his two early masses featuring Baroque flute and oboe, paired with some of his finest and most beloved instrumental works.

Violinists Adriane Post and Chloe Fedor join our choir of twelve soloists and our orchestra of period instrumentalists, which “buzz[es] with busy counterpoint and festive energy” (Washington Classical Review).

Among the most celebrated works in Western musical history, Vespro della Beata Vergine (1610) was dedicated to Pope Paul V at a moment when Claudio Monteverdi was aiming to make a quantum leap in his career prospects. After 20 years in the service of the illustrious Duke of Mantua, Monteverdi’s Marian vespers was published only three years before his star rose to the great Basilica of San Marco in Venice, where he famously served as music director for 30 years.

Within the candlelit tranquility of Emmanuel's nave, immerse yourself in a meditative evening of reflection and beauty as Holy Week begins. American composer Nico Muhly's The Street is a concert-length meditation on the Fourteen Stations of the Cross, scored for solo harp and interwoven with ancient Gregorian chant and original texts by celebrated librettist Alice Goodman. Goodman's poignant narrative, which renders these familiar spiritual events with striking contemporary sensibility, will be narrated by beloved WBJC 91.5FM host Judith Krummeck and the evocative plainsong will be chanted by acclaimed bass-baritone Edmund Milly. Internationally renowned harpist Parker Ramsay—for whom the work was specifically composed—travels to Baltimore for this intimate, powerful performance.

George Frideric Handel Messiah, HWV 56 (Parts II and III)
Trinity Choir; Trinity Baroque Orchestra; Trinity Youth Chorus; Melissa Attebury, conductor
Ticketed

George Frideric Handel Messiah, HWV 56 (Parts II and III)
Trinity Choir; Trinity Baroque Orchestra; Trinity Youth Chorus; Melissa Attebury, conductor
Ticketed

Edmund makes his solo debut with Choral Arts Society of Washington in Ralph Vaughan Williams’ Dona Nobis Pacem

From Darkness to Light: An Interactive Choral Discussion

Marie Bucoy-Calavan, conductor

This innovative concert will feature a “mid-concert lecture,” where attendees will be able to discuss and interact with one another, led by a guest lecturer that will help guide our reflection on how we digest the timely Dona Nobis Pacem by Ralph Vaughan Williams, how it fits in today’s society, and how we move on from darkness to light.

Featured works:

Dona Nobis Pacem (Ralph Vaughan Williams)

Two Psalms (Gustav Holst)

Edmund joins the ensemble of Washington Bach Consort for their season finale performance of Bach’s Mass in B Minor.

Edmund joins the ensemble of Washington Bach Consort for their season finale performance of Bach’s Mass in B Minor.

A unique collaboration between outstanding young musicians and an expert on the music of J.S. Bach, the Gamut Bach Ensemble prides itself on stylistically sensitive, earnest, and insightful performances. Directed by Koji Otsuki, the Ensemble embarks on its annual program of cantatas in the luminous Church of the Holy Trinity.

Rebecca Myers, soprano; Sylvia Leith, mezzo; James Reese, tenor; Edmund Milly, baritone; Mary Lynch VanderKolk & Ryan Roberts, oboe/oboe d’amore; Emilie-Anne Gendron & Miho Saegusa, violin; Esteban Hernández Parra, viola; Zachary Mowitz, cello; Nathaniel West, double bass; Jonathan Oddie, organ

Bach: Wer nur den lieben Gott lässt walten, BWV 93
Bach: Wer da gläubet und getauft wird, BWV 37
Bach: Alles nur nach Gottes Willen, BWV 72
Bach: Ich hab in Gottes Herz und Sinn, BWV 92

In May 2020, the City Choir of Washington was scheduled to perform Bach’s Mass in B Minor. Now, six years later, City Choir is thrilled to be “coming home” to this monumental piece.

The culmination of Johann Sebastian Bach’s life work, the B Minor Mass is intimate, powerful, sorrowful, and joyful – giving performers and audience members alike a reminder of the best that humanity has to offer.

Featuring:

Laura Choi Stuart, soprano

Gabriela Estephanie Solís, mezzo-soprano

Matthew Hill, tenor

Edmund Milly, bass-baritone

The City Choir Orchestra